December

"Extinction bursts through that web, breaking connections and threatening its integrity. Sever one strand, and it wavers, reshapes, but survives. Tear another, and it will still hold. Over long periods, repairs are made as species adapt, and new balances are reached, new associations made. If enough strands are broken at once, the web will collapse, drifting in the breeze, and the world will have to make do with what little remains." Thomas Halliday (2022). Otherlands: A World in the Making.  Photo by Monica Pinheiro free to use if you respect the license CC BY-NC-SA ( CC ).

December

And this light 

Still won't shine bright 

But there'll be enough to see right 

A thought that's handed down 

Old torn and frayed 

Mine to keep around 

Not to feel afraid 

Kept it for awhile 

A echo of the age 

A faded memory 

Waiting to change

1968 by Submotion Orchestra

Photo by Monica Pinheiro, free to use if you respect the license CC BY-NC-SA ( CC ).

December

"An unplanned exercise in cooperation is taking place, with animal and plant, fungus and microbe, competing and collaborating in complex ways. This is an ecosystem discovering itself, and it is here that the fundamental patterns of life on land are been established." Thomas Halliday (2022). Otherlands: A World in the Making. Photo by Monica Pinheiro free to use if you respect the license CC BY-NC-SA (CC).

December

Photo by Monica Pinheiro free to use if you respect the license CC BY-NC-SA ( CC ).

November

"Long distance dispersal may be rare, but in a world where enough attempts occur, only one attempt needs to succeed. What is remarkable is how many appear to have been successful." Thomas Halliday (2022). Otherlands: A World in the Making. Photo by Monica Pinheiro free to use if you respect the license CC BY-NC-SA ( CC ).

 

November

"Even in the stormiest sea, there is a calm that comes with staying true to your convictions." Harvard Business Review (2022). Energy and Motivation. Photo by Monica Pinheiro free to use if you respect the license CC BY-NC-SA ( CC ).

October

"There are certain fundamental rules that all ecosystems must follow. Energy, usually harnessed in from sunlight or, rarely, from the breakdown of minerals, must flow into the ecosystem to replace what is lost through activity and decay. The organisms that can access this energy are the producers, and those that cannot are the consumers, feeding on other living things in order to survive.” Thomas Halliday (2022). Otherlands: A World in the Making. Photo by Monica Pinheiro free to use if you respect the license CC BY-NC-SA ( CC ).

October

"Weaving is a transformative process with many functions. It involves clearing thought, and organizing personal energy and emotion. A handwoven work resists becoming mere product, or mere art." Sofi Thanhauser (2022). Worn: A People's History of Clothing. 

Photo of tapestry (78 x 110 cm) by Monica Pinheiro free to use if you respect the license CC BY-NC-SA ( CC ).

Foodscapes

"The scale of the problem is so vast, complex and interconnected that inertia has plagued the issue. But, a foodscape-scale approach to planning and action can help drive swift progress that benefits both people and the planet." "(...) [W]idespread consensus that business as usual against a backdrop of accelerating climate change and biodiversity loss is not an option." (bold is mine) in The Nature Conservancy (2022). Regenerative Foodscapes: Accelerating A Global Food System Transition. Photo by Monica Pinheiro free to use if you respect the license CC BY-NC-SA ( CC ).

October

"The earth system reacts henceforth to your action in such a way that you no longer have a stable and indiferent framework in which to lodge your desires for modernizations." Bruno Latour, 1947-2022, in Down to Earth: Politics in the New Climatic Regime (2020). Photo by Monica Pinheiro free to use if you respect the license CC BY-NC-SA ( CC ).

September

"Cloth can come from plants (cotton, linen), animals (sheep, silkworm), and, since the nineteenth century, from synthetic material and processes, namely plant-derived celulose liquefied and then extruded into strands (rayon) and various chemical recombinations of petroleum (nylon, spandex, polyester)." Sofi Thanhauser (2022). Worn: A People's History of Clothing. Photo by Monica Pinheiro free to use if you respect the license CC BY-NC-SA ( CC ).

October

"(...) it's not really about technology, but instead more about the quality of your life. (...) you'll come to realize that digital minimalism is much more than a set of rules, it's about cultivating a life worth living in our current age of alluring devices." Cal Newport (2020). Digital Minimalism: Choosing a Focused Life in a Noisy World. Photo by Monica Pinheiro free to use if you respect the license CC BY-NC-SA ( CC ).

September

"Because digital minimalists spend so much less time connected than their peers, its easy to think of their lifestyles as extreme, but the minimalists would argue that this perception is backward: what's extreme is how much time everyone else spends staring at their screens." Cal Newport (2020). Digital Minimalism: Choosing a Focused Life in a Noisy World. Photo by Monica Pinheiro free to use if you respect the license CC BY-NC-SA ( CC ).

August

“Until you dig a hole, you plant a tree, you water it, and make it survive, you haven’t done a thing. You’re just talking.” Wangari Maathai. Cited in The Green Belt Movement: 40 Years of Impact.

The last layer

"Whereas labour involves care and sustenance, work is the domain of creation and creativity. It calls on craft and skill and vision. It is about the dreaming of dreams and the making of things." Tim Jackson (2021). Post Growth: Life After Capitalism. Tapestry (July 2022). 

Photo of tapestry (80 x 102 cm) by Monica Pinheiro free to use if you respect the license CC BY-NC-SA ( CC ).

July

"Beyond our material limits (...) lies another world. A place worth visiting. An investment worth making. A destination worth reaching. Tomorrow is another country. They do things differently there. Beyond the limits to affluence lies an affluence that only limits can reveal to us. Limits are the gateway to the limitless." Tim Jackson (2021). Post Growth: Life After Capitalism. Photo by Monica Pinheiro free to use if you respect the license CC BY-NC-SA ( CC ).

A Day Later set

Jorge Queiroz (2020). A Day Later 1, 2, 3, 4 e 5 (not in this order). Exposição «to go to», Calouste Gulbenkian. 

June

Photo by Monica Pinheiro free to use it if you respect the license CC BY-NC-SA ( CC ).

February

"Love appears as the most unlikely pinnacle in an entire universe of improbability. It's the most spectacular victory in our ongoing struggle to bring order out of chaos." Tim Jackson (2021). Post Growth: Life After Capitalism. Photo by Monica Pinheiro free to use it if you respect the license CC BY-NC-SA ( CC ).

July

"Is art resistance? Can you plant a garden to stop a war? It depends how you think about time. It depends what you think a seed does, if it’s tossed into fertile soil. But it seems to me that whatever else you do, it’s worth tending to paradise, however you define it and wherever it arises." Olivia Laing cited in Maria Popova «Gardening as Resistance: Notes on Building Paradise». Makes me want to read the book Funny Weather: Art in an Emergency (2021). Photo by Monica Pinheiro free to use it if you respect the license CC BY-NC-SA ( CC ).

June

"Craft makes us human, and in doing so, it can provide deep satisfactions that are hard to replicate in other (dare I say) less hands-on activities." Cal Newport (2020). Digital Minimalism: Choosing a Focused Life in a Noisy World. Photo by Monica Pinheiro (PT20220621). License CC BY-NC-SA ( CC ).

June

"What you are basically, deep, deep down, far, far in, is simply the fabric and structure of existence itself." Dreams by Nuage. Tapestry and photo by Monica Pinheiro (PT20220615). License CC BY-NC-SA ( CC ).

June

"From the point of view of the network, mycelium is a single interconnected entity. From the point of view of a hyphal tip, mycelium is a multitude." Merlin Sheldrake (2021). Entangled Life: How Fungi Make Our Worlds, Change Our Minds and Shape Our Futures. Photo by Monica Pinheiro (PT202200615). License CC BY-NC-SA ( CC ).

May

"Uma imagem, pintada, esculpida, fotografada, construída e emoldurada, é igualmente um palco, o local para uma encenação. O que o artista põe nesse local e o que o espectador vê encenado nele, empresta à imagem uma qualidade dramática, como se fosse capaz de prolongar a existência através de uma história cujo início o espectador perdeu e cujo final o artista desconhece." Alberto Manguel (2020). Ler Imagens: em que pensamos quando olhamos para arte.

Photo by Monica Pinheiro (STP20220527). License CC BY-NC-SA ( CC ).

May

Photo by Monica Pinheiro (STP20220526). License CC BY-NC-SA ( CC ).

May

Photo by Monica Pinheiro (STP20220525). License CC BY-NC-SA ( CC ).

May

Photo by Monica Pinheiro (STP20220524). License CC BY-NC-SA ( CC ).

May

"Love offers perhaps the highest example of human flourishing. An ultimate expression of human prosperity." Tim Jackson (2021). Post Growth: Life After Capitalism. Photo by Monica Pinheiro (STP20220522). License CC BY-NC-SA ( CC ).

May

Photo by Monica Pinheiro (STP20220521). License CC BY-NC-SA ( CC ).

May

Photo taken May 2, 2022, by Monica Pinheiro. You are free to use it if you respect the license CC BY-NC-SA ( CC ).

April

Dangerous developments that seem interesting in 2007 described in a paper by Wild A. Crabtree et al (2006) «Supporting Ethnographic Studies of Ubiquitous Computing in the Wild» published in the Proceedings of the 2006 ACM Symposium on Designing Interactive Systems. In the full paper, there is only a brief annotation about ethics made.

Today it rung alarm bells, because tools are made available but education about tools is made short. You see, a tool can be a weapon if not properly used. 

When we study ethnography we learn about ethics in research. We need to use strick protocols that guaranty access to the field of study, including the conditions under which we are going to collect information, and explicit and informed consent of those under study in the field. But if the tools are made available without requiring awareness of the need for complying with ethics and protocols, they open up huge risks by allowing unware people the use of those tools without complying with mandotory obligations for ethics and protocols!

The «right to use something» (in the case described in the paper ethnographic digital tools), needs also the awareness of the «obligations that allow us to use something» (in the case of the paper, the obligation to inform people that they are collecting all that information about them, in all those places). Rights and obligations are a combo that comes together. We can not use one without the other. 

2022/April/18: text edited for clarity. Photo taken Abril 13, 2022, by Monica Pinheiro. You are free to use it if you respect the license CC BY-NC-SA ( CC ).

April

"The spaces in which we can enjoy privacy have shrunk. We need consciously to create privacy zones in order to claw back some areas in which creativity and freedom can take flight unimpeded.” Carissa Véliz (2020). Privacy is Power: Why and How You Should Take Back Control of Your Data. Picture taken Abril 3, 2022, by Monica Pinheiro. You are free to use it if you respect the license CC BY-NC-SA ( CC ).

April

"Some big tech became big by plundering our data without asking for permission (…) we were told that it was necessary for our gadgets to keep on working as they do (…).” Although “[w]e know that it is possible to have cutting-edge tech gadgets without privacy invasions.” Carissa Véliz (2020). Privacy is Power: Why and How You Should Take Back Control of Your Data. Photo taken Abril 3, 2022, by Monica Pinheiro, license CC BY-NC-SA ( CC ).

April

"The history of rights is, to a large extent, the history of progressively recognizing that human beings are not resources to exploit, but individuals to respect." Carissa Véliz (2020). Privacy is Power: Why and How You Should Take Back Control of Your Data. Image: «Forest in the City», Abril 8, 2022, by Monica Pinheiro. You are free to use it if you respect the license CC BY-NC-SA ( CC ).

April

"Ser brava é a gente firmar-se naquilo que está a fazer, no que está a dizer e naquilo que quer ser." Written on the wall of «As Bravas» exposition. Photo: «Small Forest in the City», March 21, 2022, by Monica Pinheiro. You are free to use it if you respect the license CC BY-NC-SA ( CC ). Brave is also a web browser that respects the right to privacy.

March

 

"The cunning of uncertainty suspends routine. (…) It prepares one for surprises that come with increasing order of complexity in which non-linear dynamics reign." It "sends one back to consider context, the framing that holds but also constraints." Helga Nowotony (2016). The Cunning of Uncertainty. 

Photo os tapestry (78 x 98 cm) by Monica Pinheiro, license CC BY-NC-SA ( CC ).