June

"(...) from wholeness as a living plant to fragment strands and back to wholeness again as a" tapestry. "The dual powers of destruction and creation that shape the world. Strands once separated are rewoven into a new hole." Grief can "be comforted by creation, by rebuilding the homeland that was taken. The fragments, like ash splints, can be rewoven into a new whole." Robin Wall Kimerer (2020). Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants.

Photo of tapestry (76 x 82 cm) by Monica Pinheiro CC BY-NC-SA (CC) June 20, 2024.

Solstice

I've been discovering more affordances for the materials that nature (and people) offer me. At this time of the year there is an abundance of colours, textures, forms, and smells to choose from. They open up many possibilities for creation. Marking the Solstice, I finished the weaving of the last tapestry, prepared the loom weft and started the initial selection of natural materials for the next work. 

Suzane Simard's book Finding the Mother Tree as been traveling with me. In it, I just discover that if you cut the leader shoot "the pines won't know how to grow toward the sky". 

Photo by Monica Pinheiro CC BY-NC-SA (CC) June 20,  2024.

June

"To let threads be articulate again and find a form for themselves to no other end than their own orchestration, not to be sat on, walked on, only to be looked at…" Anni Albers (1959). Pictorial Weaving. Wishlist book. Latest tapestry on the making detail photo by Monica Pinheiro CC BY-NC-SA (CC) April, 2024.

creation at the core of art-I-fact

The beginning of a new tapestry starts long before I lay out the threads on the frame. Each tapestry starts as a synapse that survived in my brain. With time it weaves together with other synapses, creating a visual memory that grows and evolves, reinforcing some features and letting go others. This visual memory mixes with previous experiences, narratives of people, new and old books, and life’s events at the gestating stage. Then, the image of possibilities for the next work meets with the material affordances of all the resources collected. Materiality that will give substance to daydream explorations, until the dialogue between mind, hands, vision, and materials becomes irresistible and the fragrances fill the room with the materialization of a new art-I-fact. From stillness to flow. Hatched from a resilient synapse that joined with others. Creation at the core. Flourishing by coming into being. 

Photo of tapestry (83  x 78 cm) by Monica Pinheiro CC BY-NC-SA (CC) 2024.

February

“Imperfect they may be, but I believe they are a beginning of a reweaving of the bond between people and the land. (…) I can take the buried stone from my heart and plant it here, restoring land, restoring culture, restoring myself.” Robin Wall Kimerer (2020). Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants. Photo by Monica Pinheiro CC BY-NC-SA (CC) 2024.

navetes

Navete ou lançadeira. Portuguese words used for shuttle. "A shuttle is a tool designed to neatly and compactly store a holder that carries the thread of the weft yarn while weaving with a loom. Shuttles are thrown or passed back and forth through the shed, between the yarn threads of the warp in order to weave in the weft. The simplest shuttles, known as "stick shuttles", are made from a flat, narrow piece of wood with notches on the ends to hold the weft yarn" ( Wikipedia ). 

In my tapestries I use repurposed ice cream sticks for the wool or cotton parts. For the plant parts it´s hands work, our best tool. Also in the photo, you can see two handmade wood needles, seldom used, but useful when needed more precision work.

Photo by Monica Pinheiro, free to use if you respect the license CC BY-NC-SA (CC).

October

"Weaving is a transformative process with many functions. It involves clearing thought, and organizing personal energy and emotion. A handwoven work resists becoming mere product, or mere art." Sofi Thanhauser (2022). Worn: A People's History of Clothing. 

Photo of tapestry (78 x 110 cm) by Monica Pinheiro free to use if you respect the license CC BY-NC-SA ( CC ).