"The person figured here is not an autonomous, rational actor but an unfolding, shifting biography of culturally and materially specific experiences, relations, and possibilities inflected by each next encounter (...) in uniquely particular ways." (Lucy Suchman, Human-machine reconfigurations: plans and situated actions, 2009, 281)
«Biodiversity is the driver of the farm. If I'm asked "What do you grow?", I say "Biodiversity". The vegetables are a by-product. (...) What I'm trying to do here is to copy the forest." To make farming work, "we need to restore a forest soil ecology, aligning farming with the original ecosystem. (...) Small farmers around the world are seeking such solutions, and have come together to build a global agroecology movement." George Monbiot (2023). Regenesis: Feeding the World without devouring the Planet. Photo by Monica Pinheiro CC BY-NC-SA (CC) May 12, 2024.
"When you tape into the arts to foster a meditative state, the places in your brain responsible for judgment and personal criticism are quieted in your prefrontal cortex, and you can assess a more generous, perspective-taking point of view." Susan Magsamen and Ivy Ross (2023). Your Brain on Art: How the Arts Transform Us. Obra de Cruz-Filipe. Exposição Modo de Ver na Fundação Calouste Gulbenkian.
"There are certain fundamental rules that all ecosystems must follow. Energy, usually harnessed in from sunlight or, rarely, from the breakdown of minerals, must flow into the ecosystem to replace what is lost through activity and decay. The organisms that can access this energy are the producers, and those that cannot are the consumers, feeding on other living things in order to survive.” Thomas Halliday (2022). Otherlands: A World in the Making. Photo by Monica Pinheiro free to use if you respect the license CC BY-NC-SA ( CC ).
"Cloth can come from plants (cotton, linen), animals (sheep, silkworm), and, since the nineteenth century, from synthetic material and processes, namely plant-derived celulose liquefied and then extruded into strands (rayon) and various chemical recombinations of petroleum (nylon, spandex, polyester)." Sofi Thanhauser (2022). Worn: A People's History of Clothing. Photo by Monica Pinheiro free to use if you respect the license CC BY-NC-SA ( CC ).
"Because digital minimalists spend so much less time connected than their peers, its easy to think of their lifestyles as extreme, but the minimalists would argue that this perception is backward: what's extreme is how much time everyone else spends staring at their screens." Cal Newport (2020). Digital Minimalism: Choosing a Focused Life in a Noisy World. Photo by Monica Pinheiro free to use if you respect the license CC BY-NC-SA ( CC ).
Labels:
art,
balcony,
books,
diversity,
forest in the city,
gardening,
resistance,
small forest,
wishlist
"Uma imagem, pintada, esculpida, fotografada, construída e emoldurada, é igualmente um palco, o local para uma encenação. O que o artista põe nesse local e o que o espectador vê encenado nele, empresta à imagem uma qualidade dramática, como se fosse capaz de prolongar a existência através de uma história cujo início o espectador perdeu e cujo final o artista desconhece." Alberto Manguel (2020). Ler Imagens: em que pensamos quando olhamos para arte.
Photo by Monica Pinheiro (STP20220527). License CC BY-NC-SA ( CC ).
"Some big tech became big by plundering our data without asking for permission (…) we were told that it was necessary for our gadgets to keep on working as they do (…).” Although “[w]e know that it is possible to have cutting-edge tech gadgets without privacy invasions.” Carissa Véliz (2020). Privacy is Power: Why and How You Should Take Back Control of Your Data. Photo taken Abril 3, 2022, by Monica Pinheiro, license CC BY-NC-SA ( CC ).
"Turning points in a life that seemed set on a predictable path suddendly emerge. (...) a reality check sets in. Once past certainties have collapsed, one begins to look at the world with different eyes. Emotions change. (...) The cunning of uncertainty lets in the unexpected. It makes room for the new, even if the new is often made from clever and unexpected recombinations of already existing elements. Poised on the threshold between the present and the unknowable future, it invites us to join the dance." Helga Nowotony (2016). The Cunning of Uncertainty. Image by Monica Pinheiro, license CC BY-NC-SA ( CC ).
"(...) I can think of no better form of personal involvement than that of gardening. A person who is growing a garden (...) organically, is improving a piece of the world. (...) A person who undertakes to grow a garden at home, by practices that will preserve rather than exploit the economy of the soil, has set [her or] his mind decisively against what is wrong with us." Wendell Berry (2021). What I Stand for Is What I Stand On. Image by Monica Pinheiro, license CC BY-NC-SA ( CC ).
