Real luxury is carbon negative

Sustainability in practice. Bouquet with plants grown locally. No artificial fertilizers or pesticides. Collected manually, near creative assembling point. Made with love and care. Hand delivered by the creator in nearby location, reached in less than 30 minutes by foot. Including complimentary smile and a good day hug. To dispose end of life bouquet, compost, cut in small pieces to use as mulch or use the dry plants as materials to do tapestries ;)

Photo by Monica Pinheiro CC BY-NC-SA (CC) November, 2025.

Sustainable prosperity

«A shift towards an economy of care, craft and creativity (...) is not just about the quality of public services or the possibility of creating decent employment. It's a direct answer to the search for a sustainable prosperity. The quest for the good life. To the desire to live well - within the limits of a finite planet.» Tim Jackson (2025). The Care Economy. 

Photo of tapestry «Connected» (81 x 91 cm) by Monica Pinheiro CC BY-NC-SA (CC). August 2025.

April

"The spaces in which we can enjoy privacy have shrunk. We need consciously to create privacy zones in order to claw back some areas in which creativity and freedom can take flight unimpeded.” Carissa Véliz (2020). Privacy is Power: Why and How You Should Take Back Control of Your Data. Picture taken Abril 3, 2022, by Monica Pinheiro. You are free to use it if you respect the license CC BY-NC-SA ( CC ).

March

"Creativity, while it needs certain conditions to flourish, refuses to become subject to prediction. The creative process moves from disorder towards some kind of order which may include the order of random patterns. But it does not know in advance which order will emerge." Helga Nowotony (2016). The Cunning of Uncertainty. Painting by Menez (Maria Inês Ribeiro da Fonseca).

Agency

Image by Monica Pinheiro, license CC BY-NC-SA (CC)

creative assemblages

"More than conversation at the interface, it is creative assemblages like these that explore and elaborate the particular dynamic capacities that digital media afford and the ways that through them humans and machines can perform interesting new effects (...) in uniquely particular ways." Lucy Suchman, Human-machine reconfigurations: plans and situated actions, 2009, 281. Image by Monica Pinheiro, license CC BY-NC-SA (CC)

20250101: "The person figured here is not an autonomous, rational actor but an unfolding, shifting biography of culturally and materially specific experiences, relations, and possibilities inflected by each next encounter (...) in uniquely particular ways". Lucy Suchman, Human-machine reconfigurations: plans and situated actions, 2009, 281.