Solstice

I've been discovering more affordances for the materials that nature (and people) offer me. At this time of the year there is an abundance of colours, textures, forms, and smells to choose from. They open up many possibilities for creation. Marking the Solstice, I finished the weaving of the last tapestry, prepared the loom weft and started the initial selection of natural materials for the next work. 

Suzane Simard's book Finding the Mother Tree as been traveling with me. In it, I just discover that if you cut the leader shoot "the pines won't know how to grow toward the sky". 

Photo by Monica Pinheiro CC BY-NC-SA (CC) June 20,  2024.

Solstice

Photo by Monica Pinheiro CC BY-NC-SA (CC), taken November 7, 2023.

June

"Women have been the weavers of tales and tapestries. For centuries, they have unspooled their stories as they spun or threw the shuttle on their loom. They were the first to capture de universe as warp and weft. They knotted together their joys, hopes, sorrows, fears, and most private beliefs. (...) They interlaced verbs, yarn, adjectives, and silk. This is why text and textile share so many words (...)." Irene Vallejo (2022). Papyrus: the invention of books in the ancient world. 

Photo of tapestry (78 x 96 cm) by Monica Pinheiro, free to use if you respect the license CC BY-NC-SA (CC).

December

"Only by altering our habits, and by endeavouring to live less exploitatively, can we prevent the changes to the environment from becoming an unparalleled catastrophe, another Great Dying. (...) People are understandably worried that it might lower our quality of life in the short term, and involve some personal and societal effort." Yet, "without our action at the level of community, of the nation, of the globe, we will certainly suffer even more. (...) we must enter into a more mutualistic relationship with our global environment. Only then can we preserve not just their infinite variety, but also our place within them" and "we too will live in hope." Thomas Halliday (2022). Otherlands: A World in the Making.  Photos by Monica Pinheiro free to use if you respect the license CC BY-NC-SA ( CC ).

June

"Craft makes us human, and in doing so, it can provide deep satisfactions that are hard to replicate in other (dare I say) less hands-on activities." Cal Newport (2020). Digital Minimalism: Choosing a Focused Life in a Noisy World. Photo by Monica Pinheiro (PT20220621). License CC BY-NC-SA ( CC ).

December

"Don't let the beauty of life escape you." Let Nature be "the temple that is. Marvel at the fact that any of this exists - that you exist." Ryan Holiday (2019). Stillness is the Key. Image by Monica Pinheiro, license CC BY-NC-SA (CC).

Summer

This Epiphyllum (mixed in a vase with other plants) only flourished twice since 2009. The first time was in August 2018 and this time marking the solstice. She started to open slightly during the day, amid rain and lower temperatures but in the beginning of nightfall, there she was blooming and releasing her exquisite perfume. In 2018 I though she was a day flower but it turns out she is a moon flower, a delicate beauty that came to announce summer time. 

Images by Monica Pinheiro, license CC BY-NC-SA (CC)

December

“(…) she no longer felt she was there simply to serve the dreams of other people. She no longer felt like she had to find sole fulfilment as some imaginary perfect daughter or sister or partner or wife or mother or employee or anything other than a human being, orbiting her own purpose, and answerable to herself. (…) she was alive, when she had so nearly been dead.” Matt Haig (2020). The Midnight Library. Image by Monica Pinheiro, license CC BY-NC-SA (CC).

June

Resilience "is a passive process, implying the ability to absorb blows and get back up. Regeneration, on the other hand is active: we become full participants in the process of maximazing life's creativity." Noami Klein, 2015. This Changes Everything. Image by Monica Pinheiro, license CC BY-NC-SA (CC).

December

"We create space - our holistic ’view of the world’ - to manage awareness, relate and contrast our embodied information. Perceived space and the space of cognition differ as to whether the space is built from our senses or our memory. The same portion of the brain processes both imagined spaces and those taken in through our eyes.’ Both spaces are the product of mental and bodily interaction. Their construction is conditioned by our age, our culture, and the social world we live in. It is astonishing that we can find consistency in such a relativistic understanding of space. Yet these consistencies ground our selves, our social conventions and the structures and cities that house them." Anders, Peter (2001). Domains of Body and Mind. Convergence: The International Journal of Research into New Media Technologies, Vol. 7(2), pp. 90-101. Image by Monica Pinheiro, license CC BY-NC-SA (CC).

June

Image by Monica Pinheiro, license CC BY-NC-SA (CC)

December

Light at the end of the tunnel. Image by Monica Pinheiro, license CC BY-NC-SA (CC)

June

Image by Monica Pinheiro, license CC BY-NC-SA (CC)