sequel

This tapestry is the sequel to «Connected», "covering very different ground and ending up in unanticipated places", behind the mountain on the upper left side of last year's tapestry.

While reading the transformative book The Entanglement by Alva Noë, the weaving of this new tapestry gained a new direction, opening up new meanings along a line of questions that I had been avoiding. Perhaps the tapestries were not about nature, but more about finding myself within nature. 

Photo of tapestry «Interconnected» (102 x 82 cm) by Monica Pinheiro CC BY-NC-SA (CC), May 2026.

August

“Until you dig a hole, you plant a tree, you water it, and make it survive, you haven’t done a thing. You’re just talking.” Wangari Maathai. Cited in The Green Belt Movement: 40 Years of Impact.

May

From nothing to something. The power of creation. "It seemed to me that man could be as effective as God, in tasks other then destruction." in The Man Who Planted Trees (16:40 / 30:02). Image by Monica Pinheiro, license CC BY-NC-SA (CC)

Global Tree Knowledge Platform

  

"Planters, scientists, policy makers and anyone else who is interested in trees will enjoy using the resources. (...) The present lack of knowledge globally about tree species and their uses is a major constraint in achieving the full potential of trees to help address the crises affecting all life on Earth. It is this knowledge gap that the Platform aims to help close. The benefits of increased access to improved knowledge include enhanced food and nutritional security for communities, higher incomes, healthier people and landscapes, and more and cheaper energy. Benefits also include effectively restored soils and forests and the better provision of ecosystem services, such as cleaner air and water." in World Agroforestry (ICRAF), Global Tree Knowledge Platform. Image by Monica Pinheiro, license CC BY-NC-SA (CC)

Painting with Nature

"(...) it was nature herself who created the shapes and patterns (...) without the need for pruning shears; branches feathered down or twisted towards the sun; some trees grew so bushy that they were green barriers, while others were as delicate as ornamental lattice-work against the sky. (...) It was like painting with trees. The different hues of leaves, Miller said, should be like 'Lights and Shades in Pictures', while Collison described the way in which Petre used a tree's foliage, its texture, bark, height and shape, as his 'living pencils'." Andrea Wulf, 2009. The Brother Gardeners. Image by Monica Pinheiro, license CC BY-NC-SA (CC)