May

"Uma imagem, pintada, esculpida, fotografada, construída e emoldurada, é igualmente um palco, o local para uma encenação. O que o artista põe nesse local e o que o espectador vê encenado nele, empresta à imagem uma qualidade dramática, como se fosse capaz de prolongar a existência através de uma história cujo início o espectador perdeu e cujo final o artista desconhece." Alberto Manguel (2020). Ler Imagens: em que pensamos quando olhamos para arte.

Photo by Monica Pinheiro (STP20220527). License CC BY-NC-SA ( CC ).

May

Photo by Monica Pinheiro (STP20220526). License CC BY-NC-SA ( CC ).

May

Photo by Monica Pinheiro (STP20220525). License CC BY-NC-SA ( CC ).

May

Photo by Monica Pinheiro (STP20220524). License CC BY-NC-SA ( CC ).

May

"Love offers perhaps the highest example of human flourishing. An ultimate expression of human prosperity." Tim Jackson (2021). Post Growth: Life After Capitalism. Photo by Monica Pinheiro (STP20220522). License CC BY-NC-SA ( CC ).

May

Photo by Monica Pinheiro (STP20220521). License CC BY-NC-SA ( CC ).

May

Photo taken May 2, 2022, by Monica Pinheiro. You are free to use it if you respect the license CC BY-NC-SA ( CC ).

April

Dangerous developments that seem interesting in 2007 described in a paper by Wild A. Crabtree et al (2006) «Supporting Ethnographic Studies of Ubiquitous Computing in the Wild» published in the Proceedings of the 2006 ACM Symposium on Designing Interactive Systems. In the full paper, there is only a brief annotation about ethics made.

Today it rung alarm bells, because tools are made available but education about tools is made short. You see, a tool can be a weapon if not properly used. 

When we study ethnography we learn about ethics in research. We need to use strick protocols that guaranty access to the field of study, including the conditions under which we are going to collect information, and explicit and informed consent of those under study in the field. But if the tools are made available without requiring awareness of the need for complying with ethics and protocols, they open up huge risks by allowing unware people the use of those tools without complying with mandotory obligations for ethics and protocols!

The «right to use something» (in the case described in the paper ethnographic digital tools), needs also the awareness of the «obligations that allow us to use something» (in the case of the paper, the obligation to inform people that they are collecting all that information about them, in all those places). Rights and obligations are a combo that comes together. We can not use one without the other. 

2022/April/18: text edited for clarity. Photo taken Abril 13, 2022, by Monica Pinheiro. You are free to use it if you respect the license CC BY-NC-SA ( CC ).

April

"The spaces in which we can enjoy privacy have shrunk. We need consciously to create privacy zones in order to claw back some areas in which creativity and freedom can take flight unimpeded.” Carissa Véliz (2020). Privacy is Power: Why and How You Should Take Back Control of Your Data. Picture taken Abril 3, 2022, by Monica Pinheiro. You are free to use it if you respect the license CC BY-NC-SA ( CC ).

April

"Some big tech became big by plundering our data without asking for permission (…) we were told that it was necessary for our gadgets to keep on working as they do (…).” Although “[w]e know that it is possible to have cutting-edge tech gadgets without privacy invasions.” Carissa Véliz (2020). Privacy is Power: Why and How You Should Take Back Control of Your Data. Photo taken Abril 3, 2022, by Monica Pinheiro, license CC BY-NC-SA ( CC ).

April

"The history of rights is, to a large extent, the history of progressively recognizing that human beings are not resources to exploit, but individuals to respect." Carissa Véliz (2020). Privacy is Power: Why and How You Should Take Back Control of Your Data. Image: «Forest in the City», Abril 8, 2022, by Monica Pinheiro. You are free to use it if you respect the license CC BY-NC-SA ( CC ).

April

"Ser brava é a gente firmar-se naquilo que está a fazer, no que está a dizer e naquilo que quer ser." Written on the wall of «As Bravas» exposition. Photo: «Small Forest in the City», March 21, 2022, by Monica Pinheiro. You are free to use it if you respect the license CC BY-NC-SA ( CC ). Brave is also a web browser that respects the right to privacy.

March

 

"The cunning of uncertainty suspends routine. (…) It prepares one for surprises that come with increasing order of complexity in which non-linear dynamics reign." It "sends one back to consider context, the framing that holds but also constraints." Helga Nowotony (2016). The Cunning of Uncertainty. Image by Monica Pinheiro, license CC BY-NC-SA ( CC ).

March

"If the past has any significance for the present, here is a strong reminder that technology alone is never sufficient to garantee the future. What once served well under past environmental conditions may come to an abrupt end." Helga Nowotony (2016). The Cunning of Uncertainty. Image by Monica Pinheiro, license CC BY-NC-SA ( CC ).

March

"Creativity, while it needs certain conditions to flourish, refuses to become subject to prediction. The creative process moves from disorder towards some kind of order which may include the order of random patterns. But it does not know in advance which order will emerge." Helga Nowotony (2016). The Cunning of Uncertainty. Painting by Menez (Maria Inês Ribeiro da Fonseca).

March

 

"Turning points in a life that seemed set on a predictable path suddendly emerge. (...) a reality check sets in. Once past certainties have collapsed, one begins to look at the world with different eyes. Emotions change. (...) The cunning of uncertainty lets in the unexpected. It makes room for the new, even if the new is often made from clever and unexpected recombinations of already existing elements. Poised on the threshold between the present and the unknowable future, it invites us to join the dance." Helga Nowotony (2016). The Cunning of Uncertainty. Image by Monica Pinheiro, license CC BY-NC-SA ( CC ).

March

Call it what you will - futures, utopias, dreams - but remeber they "are imperfect, they are imaginative, they are joyful and wild, they are shamelessly emotive, and they are growing up through the cracks in extractivist capitalism." So today, like Malaika Cunningham, I invite you "to look for the roses around you. Those things which bring you pleasure, meaning and peace for no discernible reason other than they are beautiful and, for this, they make your world better." in Bread & Roses. Image of organic city garden, taken March 1, 2022, by Monica Pinheiro, license CC BY-NC-SA ( CC ).

Kindness by default

As earthling, living in Portugal, I can´t imagine what Ukraine beings are going through in these hours, or what it must feel for Russian beings, having someone decide in their name to commit such an atrocity, so contrary to human species default to protect, care and blossom. Amidst another much bigger war of infinite greed, we add the greed for more territory, more resources, more terror, more power. Enough should be enough to concentrate on the habitability of the finitude of our Planet. 

Greed is a sickness. It needs help to be treated. If not treated can result in serious crimes: against environment (the biggest of all, given it sustains all life on Earth), against Nature and all living beings (including us), against our societies and the right to live peacefully and respectfully in a House that is much bigger than our homes, our communities, or our countries. 

What is happening is an aberration, an abnormality of the system, a hideous crime against us all. The system must be corrected. We are all encoded to be kind by default (*). We need to remind ourselves that what makes vibrant communities is respect, communion, sharing, and a lot of love for the extra energy to transcend ourselves (and endure in the most difficult of times). 

(*) Be alert for manipulation! We have been manipulated throughout history to believe that greed is our nature. It is not. More about it in Rutger Bregman (2021). Humankind: A Hopeful History.

February

"(...) I can think of no better form of personal involvement than that of gardening. A person who is growing a garden (...) organically, is improving a piece of the world. (...) A person who undertakes to grow a garden at home, by practices that will preserve rather than exploit the economy of the soil, has set [her or] his mind decisively against what is wrong with us." Wendell Berry (2021). What I Stand for Is What I Stand On. Image by Monica Pinheiro, license CC BY-NC-SA ( CC ).

February

"A renewable power system is not dependent on foreign energy imports nor vulnerable to fuel price manipulations – which are the main worries in an energy infrastructure that is largely based on fossil fuels." Kris De Decker (2018). Keeping Some of the Lights On: Redefining Energy Security. [text inserted in 2022/03/07]. Image by Monica Pinheiro, license CC BY-NC-SA ( CC ).

February

Image by Monica Pinheiro, license CC BY-NC-SA ( CC ).

February

"The combination between biometric data and mass surveillance results in an unlawful practice that unfairly treats everyone like a suspect." More about biometric data in Reclaim your Face. Image by Monica Pinheiro, license CC BY-NC-SA ( CC ).

February

 

"Emerging trends in adaptation place an emphasis on the need for more transformational changes, which has a distinct logic that differs from traditional strategies." Noble, I.R., S. Huq, Y.A. Anokhin, J. Carmin, D. Goudou, F.P. Lansigan, B. Osman-Elasha, and A. Villamizar (2014). Adaptation Needs and Options. Image by Monica Pinheiro, license CC BY-NC-SA ( CC ).

Mycorrhizal network

"Mycorrhizal networks (also known as common mycorrhizal networks or CMN) are underground hyphal networks created by mycorrhizal fungi that connect individual plants together and transfer water, carbon, nitrogen, and other nutrients and minerals." Mycorrhizal network, Wikipedia. Image by Monica Pinheiro, license CC BY-NC-SA ( CC ).

January

"[A]ll this was an ongoing labor of love. The sustainability of nature (...) never just falls into place; it must be brought out through that human work that also brings out our humanity." Anna Lowenhaupt Tsing (2017). The Mushroom at the End of the World: on the Possibility of Life in capitalist Ruins. Image by Monica Pinheiro, license CC BY-NC-SA (CC).

January

"I comb through the mess of existing worlds-in-the-making, looking for treasures - each distinctive and unlikely to be found again." Anna Lowenhaupt Tsing (2017). The Mushroom at the End of the World: on the Possibility of Life in capitalist Ruins. Image by Monica Pinheiro, license CC BY-NC-SA (CC).

Role of paper in disruptions

After being hacked and down for 3 days, the newspaper "Expresso volta a ser feito e desenhado à mão. Como no primeiro dia." by Expresso in LinkedIn.

Sintra

Image by Monica Pinheiro, license CC BY-NC-SA (CC).

Assemblages

 

«Assemblages are open-ended gatherings. They allow us to ask about communal effects without assuming them. They show us potential histories in the making. (…) Assemblages don’t just gather lifeways; they make them. Thinking through assemblages urges us to ask: How do gatherings sometimes become “happenings,” that is, greater than the sum of their parts? If history without progress is indeterminate and multidimensional, might assemblages show us it’s possibilities?» Anna Lowenhaupt Tsing (2017). The Mushroom at the End of the World: on the Possibility of Life in capitalist Ruins. Image by Monica Pinheiro, license CC BY-NC-SA (CC).

December

"Humans, pines, and fungi make living arrangements simultaneously for themselves and for others: multispecies worlds."  Anna Lowenhaupt Tsing (2017). The Mushroom at the End of the World: on the Possibility of Life in capitalist Ruins. 

 

20220103 note: pinus pinaster and pinus pinea descriptions in European Atlas of Forest Tree Species (2016): https://ies-ows.jrc.ec.europa.eu/efdac/download/Atlas/pdf/Pinus_pinaster.pdf; https://ies-ows.jrc.ec.europa.eu/efdac/download/Atlas/pdf/Pinus_pinea.pdf .

December

"Patterns of unintentional coordination develop in assemblages. To notice such patterns means watching the interplay of temporal rhythms and scales in the divergent lifeways that gather. (...) This turns out to be a method that might revitalize political economies inside them, and not just for humans. Assemblages cannot hide from capital and the state; they are sites for watching how political economy works." Anna Lowenhaupt Tsing (2017). The Mushroom at the End of the World: on the Possibility of Life in capitalist Ruins. Image by Monica Pinheiro, license CC BY-NC-SA (CC).

December

Image by Monica Pinheiro, license CC BY-NC-SA (CC).

December

"Don't let the beauty of life escape you." Let Nature be "the temple that is. Marvel at the fact that any of this exists - that you exist." Ryan Holiday (2019). Stillness is the Key. Image by Monica Pinheiro, license CC BY-NC-SA (CC).

December

Phenology: "the study of periodic events in biological life cycles and how these are influenced by seasonal and interannual variations in climate, as well as habitat factors (such as elevation). (...) Examples include the date of emergence of leaves and flowers (...), the date of leaf colouring and fall in deciduous trees (...). In the scientific literature on ecology, the term is used more generally to indicate the time frame for any seasonal biological phenomena, including the dates of last appearance (e.g., the seasonal phenology of a species may be from April through September). (...) In addition to providing a longer historical baseline than instrumental measurements, phenological observations provide high temporal resolution of ongoing changes related to global warming." 

 

Image by Monica Pinheiro, license CC BY-NC-SA (CC).

 

20220105: text was changed from book citation to definition of «phenology», maintaining the photo showing a tree, displaying all 4 seasons at time of capture (December, Cacem, Portugal), with nude parts, white flowers, green leafs, fruits and yellow and red leafs in other parts of the same tree.

December

“Failure is instrumental in success. We need to fail to learn. It’s only through exploring and figuring out the territory, that the fog starts to clear.” Douglas McMaster, owner of Silo restaurant, thoughts about the need to change existing views, implementing zero-waste designed systems, from farm to fork (and beyond), changing paradigms and inspiring future ethical behaviours. in «A Failure of Imagination», directed by Matt Hopkins. Image by Monica Pinheiro, license CC BY-NC-SA ( CC ).

December

"Make what you can of what you have been given. Live what can be lived. That's what excellence is." Ryan Holiday (2019) Stillness is the Key. Image by Monica Pinheiro, license CC BY-NC-SA ( CC ).