"More than conversation at the interface, it is creative assemblages like these that explore and elaborate the particular dynamic capacities that digital media afford and the ways that through them humans and machines can perform interesting new effects (...) in uniquely particular ways." Lucy Suchman (2009). Human-machine reconfigurations: plans and situated actions.
"Uma imagem, pintada, esculpida, fotografada, construída e emoldurada, é igualmente um palco, o local para uma encenação. O que o artista põe nesse local e o que o espectador vê encenado nele, empresta à imagem uma qualidade dramática, como se fosse capaz de prolongar a existência através de uma história cujo início o espectador perdeu e cujo final o artista desconhece." Alberto Manguel (2020). Ler Imagens: em que pensamos quando olhamos para arte.
Photo by Monica Pinheiro (STP20220527). License CC BY-NC-SA ( CC ).
Today it rung alarm bells, because tools are made available but education about tools is made short. You see, a tool can be a weapon if not properly used.
When we study ethnography we learn about ethics in research. We need to use strick protocols that guaranty access to the field of study, including the conditions under which we are going to collect information, and explicit and informed consent of those under study in the field. But if the tools are made available without requiring awareness of the need for complying with ethics and protocols, they open up huge risks by allowing unware people the use of those tools without complying with mandotory obligations for ethics and protocols!
The «right to use something» (in the case described in the paper ethnographic digital tools), needs also the awareness of the «obligations that allow us to use something» (in the case of the paper, the obligation to inform people that they are collecting all that information about them, in all those places). Rights and obligations are a combo that comes together. We can not use one without the other.
2022/April/18: text edited for clarity. Photo taken Abril 13, 2022, by Monica Pinheiro. You are free to use it if you respect the license CC BY-NC-SA ( CC ).
"Some big tech became big by plundering our data without asking for permission (…) we were told that it was necessary for our gadgets to keep on working as they do (…).” Although “[w]e know that it is possible to have cutting-edge tech gadgets without privacy invasions.” Carissa Véliz (2020). Privacy is Power: Why and How You Should Take Back Control of Your Data. Photo taken Abril 3, 2022, by Monica Pinheiro, license CC BY-NC-SA ( CC ).
"Creativity, while it needs certain conditions to flourish, refuses to become subject to prediction. The creative process moves from disorder towards some kind of order which may include the order of random patterns. But it does not know in advance which order will emerge." Helga Nowotony (2016). The Cunning of Uncertainty. Painting by Menez (Maria Inês Ribeiro da Fonseca).
