Apr 10, 2026

Sustainable processes

In my tapestries I use cotton and wool that I do not produce. But most materials are dead plants, seeds, bark and a lot of other plentiful and available materials from nearby gardens and spaces. I've been working dutifully on this sustainable process. Ways that do not produce rubbish or pollutants (including noise, a great nuisance). When people come to see my tapestries I talk about the process and how the spoils from my tapestries are fed back to my plants. 

There are no chemicals or artificial products used or created during the treatment or the use of the materials I collect. Time is one of the most important aspects. It's a slow, hand made process. The materials are at the core of my work. They are not bough in a store and are not available from a catalog. They are made from what nature gives and prepared to be weaved (images below). The color pallet varies with the materials' availability. Not according to my wishes. Beyond art, what if our policies could embed this sustainable guiding principles? What would work and life be?

Apr 2, 2026

April

"(...) the notion that there are benefits to sitting on the edge between order and disorder, and hence having adaptative power, rings true in our everyday lives." Neil Johnson (2009). Simply Complexity. A clear guide to complexity theory. Photo by Monica Pinheiro CC BY-NC-SA (CC) March 2025.

Apr 1, 2026

April


"(...) the art we tend to find most interesting is also in that middle-ground between complete order and complete disorder - in other words, between being completely boring and completely unintelligible." Neil Johnson (2009). Simply Complexity. A clear guide to complexity theory.. Photo by Monica Pinheiro CC BY-NC-SA (CC) March 2025.